by Jen Knox
Jen Knox writes the healthy fiction equivalent of the detox smoothie you’d get if you poured half a cup of Mary Gaitskill, two tablespoons of Mary Robison, a teaspoonful of Raymond Carver, and some chilly Laura van den Berg into a Tom Waits blender and hit puree. Here are twenty-four darkly fun stories populated by everyman and everywoman genetically predisposed to ‘tough luck but hopeful genes,’ and primed for fight or flight. And yet she has the uncanny ability to make you root for even her most unredeemed characters in all of their stressed out glory. All of them inhabitants of our lonely damaged universe, searching for connection in the daily grind of everyday losses.
—Richard Peabody, editor Gargoyle Magazine
The perfect pitch, the flawless diction, and the aura of calm are all grace notes with which Jen Knox cloaks the troubled waters of the human heart. A Knox tale begins in a recognizable place, but in every one of these brilliant stories, she confounds the reader’s expectations and ends them in eerily beautiful, untrod territory. The stories in After the Gazebo seduce yet refuse what is coarse; they disdain the slipknot of the obscene, and still they electrify. Exquisite and edgy, they quietly shock. The reader bestows a rock solid trust in this narrator’s voice and is willing to linger with the energy drinks and flat-screen TVs, the 12 Steps, the cubicles and performance reviews, the bus rides and DMV’s eye tests. This author does not hide behind the exotic but with great skill and generosity braves the commonplace. These stories go fathoms deep—all the way to the shivery core, where the familiar heightens into the sublime, and then into the dazzling. The perceptible world has been sorely neglected in fiction, perhaps waiting for a writer with the craft and courage to take it on. Jen Knox is that writer. After the Gazebo is that book.
—Stephanie Dickinson, author of Love Highway
After the Gazebo is a wonder: complex, compelling, beautifully told. Jen Knox writes with a deceptively quiet fierceness that will sneak up behind you and grab you by the throat, clutch your heart, and never let go. Her motley cast of characters find themselves caught at the fault line of before and after, tasked to challenge the veracity of whether "a person can't start over if he's always looking back." The disparate ways they claw and fight, strive and fail to succeed are testament to Knox's range and her deep understanding of the human condition. The stories in this accomplished collection will make you ache, will make you think, and will stay with you long after you turn the final page.
—Sara Lippmann, author of Doll Palace
Jen Knox’s After the Gazebo offers us an astounding panorama of torqued moments and vignettes that strike the depths and dimensions of human behavior. Each cautionary tale illuminates the next, reminding us of the uncanny impact that fate, luck and destiny have on our lives, and weaving all the necessary elements: “I never saw the value of negative space, but learned to live inside of it. With kids de-bussing around us and the cold biting our cheeks, we all knelt on the pavement and scratched lottery tickets.” Knox’s keen eye and heart are devoted to noticing every detail, infusing the most ordinary and subliminal experiences with epiphanies that transcend her characters. The range and depth of each story in this collection is pitch-perfect, as the writer hits the marks, gripping us with vivid, familial and domestic landscapes that inform and widen our own lives—leave us all the richer for it. After the Gazebo is indelible and astonishing.
—Cynthia Atkins, author of In the Event of Full Disclosure
Jen Knox is an incredibly versatile writer whose stories go down smooth and burn for days. Few people on the planet are both acute observers as well as superb prose stylists. Jen Knox is one of those rarities. And After the Gazebo is proof!
—Mathieu Cailler, author of Loss Angeles
With a clear lens pressed to her creative eye, Jen Knox has crafted a diverse collection of stories where loss, hardships, and tender vulnerabilities are stretched across the uncertain horizon of everyday life.
—Beth Hoffman, internationally bestselling author of Looking for Me
Jen Knox is a writer of honesty, and her stories always indicate her clear understanding that even those flawed people in the world have their moments of goodness and beauty and that we are all flawed. The stories in Knox’s newest collection, After the Gazebo, are impossible to read piecemeal. I devoured the book in one sitting and will read them again and again. Knox’s writing is nuanced and strong, her stories filled with glorious gems of insight, which made me feel like a woman in a diamond mine, admiring dark walls studded with sparkling treasure. As I read each piece I discovered riches hiding in and between each narrative moment. Even in the most shadow-rich stories, Knox builds a kind of grace into her characters, showing empathy for the human condition that transcends the hurt, equalizes the pain. We want to know these people, ask them questions about their lives, and help them heal. We do know these people. They are our neighbors, our fellow workers, our families, ourselves. This gentle book is a triumph in which the seemingly ordinary becomes the extraordinary.
—Joani Reese, Editor of MadHat Lit and author of Night Chorus
Jen Knox was raised in Columbus, Ohio. She now lives in San Antonio, Texas with her husband Chris, dog, cat, and the occasional lizard. She teaches creative writing at San Antonio College and writes about technology and creativity convergence at Fiction Southeast. Jen studied English at Otterbein College, and completed her MFA at Bennington College. She earned grant assistance to attend a residency at the Vermont Studio Center, where she worked on a few of the stories in After the Gazebo. She was the recipient of John Kessler Memorial Endowment for the Arts Award and earned finalist status in The Adirondack Review’s 2013 Fulton Award. All Things That Matter Press published her short story collection To Begin Again (winner of the Next Generation Indie Book Award in Short Fiction) in 2011, and Monkey Puzzle Press published her fiction chapbook Don’t Tease the Elephants in 2014.
by Jen Knox
She felt it in her toes that morning, dread that she would shove into ivory heels and dance on beneath heavy clouds. He felt a surge of adrenaline he thought must accompany every man on his wedding day.
Everything had been set in motion four months ago, when they adopted a pug that was abandoned in a nearby apartment complex. They were unsure they’d have the proper amount of time to devote to the puppy, but his bunched face and little square body seemed perfect. It would be a responsibility test, a sort of trial run before they had children.
A small girl with red hair wailed at her mother’s side. The girl hugged her mother’s leg, holding it in an almost violent way. They assured her they would take good care of the pug and she could visit him anytime.
The pug had dermatitis between his folds, which cost money to correct, as did his shots and medications. It was enough to tear a small hole in their new car fund, so they had to reevaluate the year and model they’d go for. The lesser car they selected had good reviews, and the salesman even said—when he realized they weren’t the best negotiators and had told him their actual budget—that it was more durable than a lot of the newer ones. The couple’s fate was sealed when she drove the car off the lot, when he inserted the CD he’d brought along, just in case. “Ocean Breathes Salty” began the soundtrack. They drove all day, speeding along the peripheral of the city, and stopped for Jamaican jerk chicken at a restaurant they agreed they would return to regularly.
They took the pug to the dog park Saturday mornings. A month passed and they were still not sure about his name. He enjoyed eating and watching Animal Planet, so they babied and indulged him. They learned everything they could about the breed and how best to care for him, finally putting him on a diet. They decided on his name after reading that the strange little forehead wrinkle that pugs share is referred to as a prince mark because it resembles the Chinese symbol for prince.
They enjoyed taking Prince on lazy walks after work. They often ate out and met up with friends on weekends. She got a corporate job that replaced her occasional gigs as a yoga instructor. She hated the work but made a lot of friends, fast, and thought it an okay trade for the time being. He got a corporate job; he rather enjoyed it.
She gained five pounds. He gained ten. They joined a gym a few months before the wedding. They made resolutions often. They both wanted to be somewhere else, but were unsure exactly where. They lived near his family but far from hers, so they often spoke of moving somewhere in the middle. Her sister would often call, upset about her husband being out late. She wanted to be close enough to visit, watch bad movies and make orange cinnamon rolls, offer comfort.
They’d all be closer soon, the couple decided. This union was an inevitable step toward their ideal future. The details would work themselves out.
The day of the wedding, they awoke five hours and twenty minutes before they had to be at the meeting center by the gazebo. Their wedding would be outside, in a park where they first met. Both had been joggers.
It would be a small ceremony. She would wear her mother’s ivory dress, still a touch tight around the hips. He would wear his OSU pin on his slant-striped gray tie. They would have a total of eighteen family members there; two would attend via Skype, and approximately twenty friends and acquaintances had RSVP’d. She would pick up her mother and sister from the hotel they insisted on staying at because the couple’s apartment was still quite small. Just fewer than forty people would surround them as they took their vows at Abaline Park at 2PM. It was the perfect wedding size, everyone agreed.
Prince had a habit of jumping up and down before treat time, after walk time, and this always made her giggle. Her giggling always made him want her. It was wedding day morning. She laughed at his pitched pants and serious stare when she walked out of the kitchen. He didn’t laugh. Instead, with only hours remaining, he rushed her, moved his fingers along her belly beneath her shirt, lifted her sideways and took her to their bedroom where they would forget the world for almost an hour. Last time as a single man, he said. She pushed him off and over, hugged his waist with her knees.
When they finally remembered the world, they rushed around the apartment frantically. They kissed goodbye. She took the car and thought about how lucky she was. She had heard horror stories about friends’ weddings, but she knew hers would be perfect. There wasn’t a fake or a placeholder in the bunch. She was genuinely close to everyone who would be there.
Her mother, an artist, presented her with a black and white painting of Prince when she arrived at the hotel. She laughed and loved it. Her sister worked hard to laugh with them and then explained her husband couldn’t attend due to work. It had been last minute. The sisters embraced.
Prince refused to wear the doggie tux. She understood his apprehension and clipped a bowtie to his collar. She hoped her fiancé would remember to pack the treats and the collapsible water dish. His father was picking him up. His mother was in a wheelchair after having reconstructive foot surgery a few weeks back. They lived close by, would arrive right before the ceremony. She was a loud, beautiful woman. Her three grown children, the husband-to-be included, had blinged out her chair while she was in surgery so that she now called it her throne.
The gazebo was perfect. His cousin, who had taken on the role of wedding planner, had done everything right. Nothing was overdone. The couple didn’t see each other until the vows. The sky was overcast but with no threat of rain. The clouds framed them in pictures. The couple kissed. Prince jumped up and down at the dance after. His mother danced in her chair. Her mother sketched the children’s faces. Her father smoked cigars with his father as they talked about drone strikes and then football and then the quality of their cigars.
The recall notice hadn’t reached them because they’d forgotten to write the apartment number on the paperwork and his email had filtered the e-copy to junk. This would strike the parents as ridiculous after, seeing as how all the bills had reached them just fine. The recall notice concerned hyper acceleration and asked that all owners of the make and model and year bring the car in for a free check. The parents would become angry and file suit. It would be a large suit. They would become quite rich, and they would become angrier that they had to become rich in this way.
His mother’s foot would heal perfectly, and she would walk with only a slight limp to the two graves that sat alongside the back of the yard by an old, abandoned house that the city was unsure what to do with. The family would gather here on the anniversary of the couple’s wedding, and they would sob and laugh and smoke cigars.
They would talk about the circumstance of death and fate, what lined up in order for it to happen on their wedding day. The family would eventually come to know that it was not the dealer’s or manufacturer’s fault alone. The car had surged when he hit the brakes after seeing that the driver of the SUV didn’t notice them and was taking over the lane.
The family was rich, so incredibly rich, but it didn’t matter. The money did not reconcile the odd chain of events, that slight hit that sent their small car spinning into the median strip. It was instantaneous for him. It was drawn out for her. She had that brief window, a chance to say goodbye. She’d told her sister that she knew, somehow, that she had thought it was just cold feet, but she knew.
The family was smaller now. The sister was alone. Her mother fell ill and no longer painted. The nieces and nephews were teenagers, unreachable. Her sister became pregnant after a fling.
Prince would live with the sister and would rest his wrinkly head on her belly as he listened to her daydream about finding love. He would comfort her when she came home with child and spent hours staring at the floor, unable to sleep. He would mind the child and growl at men her sister would bring home.
Until his final days, Prince would continue to comfort her sister, but he would never jump up and down. Instead, he would conserve his energy and spend his every night at the door, waiting, unable to believe in fate.
Copyright © 2024 Rain Mountain Press. Site by Jonathan Penton.